Bobbie*
Buttechno
Chris Farrell
Don‘t DJ
Ekman
Even Tuell
Finn Johannsen
Gramrcy
Kassem Mosse
Leibniz
Lowtec
MM/KM
Madteo
Mix Mup
Qnete
Relaxer
Tasker
Young Male
ТПСБ
Workshop Records
Idle Hands
Connect
 
Bobbie*

BOBBIE* is a Resident DJ at PAL in Hamburg and the main organizer behind of the event series HIGHLY RECOMMENDED. Her sound takes you on a journey through the depth of underground machine funk guided by sinister soundscapes, chirping 303 modulations and diverse drum programming. An avid and open minded music lover, her sets richochett through acid, electro, techno, wave and industrial, the common thread a certain relentless darkness, tempered with dissolves into warm melodic interludes.

She grew up in Cologne, exploring at a young age its vibrant, turn-of-the millenium club scene. When she moved to Hamburg in 2003 she became even more motivated to pursue DJing, partially spurred by the lack of women playing in clubs. Over the next decade she honed her chops, and when PAL opened in 2014 she immediately became a resident.

Buttechno (The Trilogy Tapes)

BUTTECHNO is Pavel Milyakov, music producer from Moscow’s suburban district and one of the leading voices in the local rising underground scene. He is one of the founders of Johns’ Kingdom, a label and self-described “group of pretty unknown artists” from the Russian dancefloor avant-garde advocating anonymity (“untitled united”) and an anti-ego approach to music as fundamental principles of creativity.

Milyakov makes spacious, dystopian, and wonky reflections on techno that mirror the expansive barrenness and desolation of his highrise-dominated environs. Despite keeping a relatively low profile, Buttechno still manages to attract significant positive attention, whether providing “spastic electronics and fireball ballistics” in one of the local Boiler Room event or creating soundtracks for European fashion shows. He has close ties to the area’s design and fashion scenes, and his own artwork fleshes out a singular aesthetic.

Milyakov’s debut album SPORT, released on Johns’ Kingdom, followed a pair of 12” singles and was produced for hyped Russian fashion designer Gosha Rubchinsky’s AW15 runway show. In its tracks, the appearance of rhythmic cells ranging from strict to rubbery lend direction, for occasional stints, to the blue, ruminating, and post-apocalyptic voids that are constant throughout. Whether DJing or playing live, Milyakov pulls audiences into a self-reflective, transfixed state.

Chris Farrell (Idle Hands)

Most people probably associate Chris Farrell with Idle Hands, the label he started in 2009 while working at Bristol record store Rooted with buddies Peverelist and Kowton. It probably didn’t come as much of a surprise when Chris also opened Idle Hands the record shop in 2011 after Rooted closed. Farrell has been an integral part of the Bristol scene for many years, together with his friends he has helped shape the sound of the city - such as through the label Brstl that he runs with Shanti Celeste since 2011.

As far as DJ’ing goes, to say Chris is diverse behind the decks is an understatement; only a strong confident DJ dares to move between house, disco and soul finding a bridge to fragrant dance tracks of the 80’s, going further into UK punk rock heading into techno. Ingredients like one and a half decade of vinyl handling and coming from a musical home clearly shines through. Adding further to his credibility, Chris is also a well-experienced selector in the reggae and dub field.

Chris Farrell is available for DJ sets and label showcases with Idle Hands.

Don‘t DJ (Berceuse Heroique, Sexes)

DON'T DJ is interested in what he calls "Musique Acéphale" - a Metric which has no distinct starting point and thus encourages the listener to constantly switch his metric focus to discover different "points of listen" within the same arrangement. When performing live Don't DJ is constantly rearranging the components of the rhythms, thus never really reproducing the initial tracks but constantly experimenting. Don't DJ seeks to inspire consciousness to wander beyond culturally suggested boundaries of the perception of reality.

He co-runs the labels DISK and SEXES.

On offer are live-sets (with or without visuals), dj-sets, lectures and workshops, pls ask for more detailed information.

Ekman (The Trilogy Tapes, Shipwrec, Crème Organization)

After numerous years of experiments with chloroform induced comas on unwilling patients, Ekman started to work trough audio waves to substitute the subjects reality. With tranquilizing bass-lines and sedative melodies he has successfully counterfeited reality for 3 of the 5 test subjects. This findings have since inspired an output of records designed to minimize the the negative side effects of the comatose state of the world. Counterfeiting reality since 1981.

Hailing from the Netherlands, Ekman has released on labels like Panzerkreuz, Trilogy Tapes, Berceuse Heroique and Shipwrec.

Even Tuell (Workshop)

Starting to DJ in 1992 Even Tuell (aka Paul David Rollmann) found out that he is not scared of going deep. He describes his style as a “constant balancing act between grounded deep house and innovative techno”. These fine skills brought him a residency back in 1999 at Robert Johnson in Frankfurt, a collaboration that continues still to this day.

Even Tuell co-runs the acclaimed label Workshop with Lowtec, responsible for shedding light on some of the most interesting and “dare to be different” artists in the electronic field today. If you have seen fans wearing Workshop gear in the club – Even Tuell is of course responsible for this too: he founded his fashion brand Airbag Craftworks in 1995, starting by making record bags.

Out of dusty sounds and grim basslines Even Tuell manages to create hypnotizing productions – drunk and dizzy, yet bouncy and danceable at the same time. His well-selected discography includes releases on labels such as Out To Lunch, Latency, Kann and Meandyou, as well as his own Workshop of course. Since his bright studio space in Kleestadt is his favourite place to spend time in, there will surely be more coming from this artist in the near future. Although as the name Even Tuell indicates, you can and you should always only expect the unexpected.

Finn Johannsen (Hard Wax, Macro)

Born in Kiel, Germany, in the late 60's, Finn Johannsen started collecting records since he was a kid, with a focus on anything danceable from Disco, Soul, Post Punk, to Synth Pop and all points in between, and entered the nightlife as soon as he could. He spent his formative years dancing in some legendary clubs in Hamburg and started out as a DJ in the 80's on the Rare Soul circuit, then later fell in love with House and Techno and the styles that followed suit. Over the years he played a vast array of national and international gigs, and his widely acclaimed mixes and radio shows are all over the web.

Finn is also a well respected and prolific writer for numerous print and web media publications (and there are rumors that he is affiliated with the mysterious D*ruffalo collective). He lives in Berlin, where he operates the Macro Recordings imprint with Stefan Goldmann, and works for the legendary Hard Wax store.

Gramrcy

GRAMRCY is a British-born DJ and producer currently living in Berlin. His productions draw elements from the UK’s rich rave history while pushing towards a resolutely forward-facing sound. EPs on cult UK labels Ancient Monarchy and FTD established a restless, anything-goes approach to music-making, while his latest release - a collaboration with Hodge on the Singapore-based label Midnight Shift - displays a tougher and more upfront side. This approach extends through to his DJ sets - a fluid and stylistically diverse selection that skilfully weaves between genres and eras while maintaining at its heart a fun and carefree approach to dance music.

Well received mixes for Crack Magazine, Boiler Room, Uncanny Valley and Ceramics (which Thump named their No.1 mix of 2015), as well as guest slots on NTS and Rinse FM have cemented his reputation as an exciting and diverse DJ, as comfortable with well-considered warm-up slots as he is playing peak time sets.

Besides running the longstanding Housework parties in Bristol and Berlin alongside Shanti Celeste, Golesworthy and Daisy Moon, he’s played a number of well-respected clubs, venues and festivals across Europe, including ://about blank and Tresor in Berlin, Simple Things Festival in Bristol and London’s Dance Tunnel. 2018 looks to continue this trend, with a number of exciting releases and shows on the horizon.

Kassem Mosse (Workshop, Ominira)

In 2007 Kassem Mosse’s first release appeared via the label Mikrodisko (which is also a queer party collective he belongs to). His signature style of dusty, smothered, foggy productions were a sound most people definitely did not expect at the time. Seeing Mosse’s discography is impressive and the more part consists of respected labels he is closely affiliated with. In 2014 Workshop presented his praised debut album “Workshop 19”, and since then Mosse has released two more full-length albums: 2016’s “Disclosure” via Honest Jon’s and “Chilazon Gaiden” on his own Ominira imprint in late 2017. Each album has clear roots in its predecessor, yet the sonic image has been continually stripped bare, revealing a wilder, more raw sound.

Perhaps not known to all is that Kassem Mosse is as much of a well-seasoned DJ as a producer. His style lies somewhere on the sharp edge between house and techno: Jackin’ beats, Acid and Dance Mania-style trax interlaced with more abstract choices all fits in here. He is as selective buying records as he is playing them, focusing on quality rather than just filling up empty space.

Mosse also collaborates with various artists in the studio as well as on stage. Together with Mix Mup he forms the duo MM/KM - a project bringing thoughts to improvised jazz and jamming sessions. Dillon Wendel is another, consisting of experimental UK artist Beatrice Dillon and Kassem himself. Furthermore he also composes sound work for visual artists, such as German Hito Steyerl for whom he has created performance- and video scores.

Leibniz (Hundert, Shtum)

Co-founder of the aspiring label hundert, Leibniz has made a name for himself over the past few years releasing a steady stream of innovative and heavyweight dancefloor material that takes equal influence from techno, house, jungle and Grime. Aside from his work on hundert he has released on Rat Life Records, Fourth Wave and shtum. Besides that he is also apart of DJ OK and Dj bwin.

Leibniz is available for Live as well as DJ sets.

Lowtec (Workshop)

Lowtec got involved in electronic music as he started DJ’ing illegal raves in the early 90’s on the countryside of his hometown in Germany. A few years followed and he started producing his own material as well as getting into the label business. His first label Out To Lunch was started in 1996, to date its catalogue contains close to 30 releases from artists like Lynx, Even Tuell, Kassem Mosse and himself. Even Tuell is also Lowtec’s label partner at his second imprint Workshop, founded 2006. This is where the close network seems to be most apparent. Aside from Lowtec and Even Tuell’s own recordings, the label also frequently houses artists like Kassem Mosse, Willow, Move D and his projects Reagenz and Magic Mountain High, and newer, or perhaps lesser known artists like Schweiz Rec., Ozel AB, 808 Mate and Marcellis to name a few.

As unique as his work as a label curator is, so is also his own sound as a producer. Lowtec’s kind of house has a somewhat “dented” feeling when it comes to the sounds appearing; low-slung basslines often creates deep grooves with glitched funk elements. Experimental ideas and rhythms are explored here, and always somehow in the most natural sounding way possible, the flow is there. To date his discography spans two full-length albums, over two dozens of singles/EP’s and almost the same amount of remixes - some of these released through his own labels, others on recurring labels like Nonplus, Laid and Playhouse.

With residencies and label nights for Workshop at Corsica Studios in London, Robert Johnson in Frankfurt and Soup Kitchen in Manchester, Lowtec continues keeping himself and the collective around him busy. For the beginning of 2018 there is a mixtape set for release on label Avenue 66 where he previously released a 12”. Also a release on Workshop is scheduled, where the plan is to explore more of the collaborative project started in 2016 with Kassem Mosse.

MM/KM

The sonic result of various roadtrips by musical auteurs Mix Mup & Kassem Mosse. Together they go on journey to engage in experiments with wider perspectives, as they slide across scales, inching towards mileage. In their work as MM/KM they look at each others' ideas and strategies, taking their music beyond their solo work. Their first release is a LP on Will Bankhead's label TTT (The Trilogy Tapes) with 7 tracks of great variety. Both have collaborated extensively in the past on radioshows and podcasts, as well as their chill-out project "chilling the do" – by now they have come to know each others do's and dont's rather well and every once in a while one of them finds a way to push the other to some adventure on the edge - while they're trying not to loose their minds and keep their gear from falling apart. Usually they prefer meet in each others anechoic chambers, but if you're lucky - they might come out at night and throw it down in some nightclub near you.

Madteo (Wania, M.A.D.T.E.O. Records, Sähkö Recordings)

Madteo, known to his family and friends as Matteo Ruzzon, is at once a single-minded producer and a voracious DJ. Now residing back in his Italian motherland, it was his move to New York in the mid-90s that shaped Ruzzon’s musical world. The grim beauty of NYC seeps deeply into his being and by extension, the music he makes. Slowing the city’s relentless pace down to a crawl and amplifying the results, strange apparitions of melody and voice (often his own) swim to the surface. His dense, blunted production style draws as much from his love of dub and reggae as it does from the subtle maximalism of Italo and the cut-ups of The Bomb Squad, while his career-spanning work with rapper Sensational further expands upon NYC’s unique hip-hop heritage.

Besides providing the first 12” on Joy Orbison and Will Bankhead’s Hinge Finger label, his broad discography includes EPs for the likes of Workshop, Latency, and Meakusma alongside standout albums on the Sex Tags affiliated Wania, Sahko Recordings and The Trilogy Tapes (a cassette-only release later given a full vinyl reissue on FIT Siegel’s Est. 83’ Records label).

His self-styled $treet Wax DJ style is as wide-ranging as his label affiliations, and draws heavily from the bargain bins of the worlds’ record shops and thrift stores. His musical palette is bought clearly into focus behind the decks, as overlooked vocal heaters trade off against scuzzy box jams and raw acid workouts, all with the singular intention of rocking the room. As with everything Ruzzon does, it comes with an honesty that’s impossible to ignore.

Mix Mup (The Trilogy Tapes, Hinge Finger)

MIX MUP aka Lorenz Lindner is an artist, musician and DJ who is persistently adapting and twisting the established rules of musical genres and demanding the extraordinary. Still Mix Mup stands for Techno and Funk, especially in his livesets. He started to produce music at a very early age in the 90s and soon got interested in the techno scene. In 1999 he worked in Munich DiskoB and Gigolo Records and got heavily involved in the scene around Ultraschall. In 2001 he moved to Leipzig and became a close friend of the Homoelektrik collective. Since 2001 he released several records on labels like Mikrodisko, Hinge Finger, The Trilogy Tapes, Meakusma and Erkrankung Durch Musique, and each release increased his international audience for a reason. He collaborates with his friend and studio partner Kassem Mosse in the project MM/KM, which saw its first release in 2012 on UK label The Trilogy Tapes (TTT). He was also involved in remix projects for John Beltran, Paul Woolford, Mistakes Are Ok, Kowton, UD, Si Begg… In addition to this, he moderates and curates a monthly radio show on Berlin Community Radio and runs an audio Pre-mastering service.

Qnete (777 Recordings, Lobster Theremin)

This musical newcomer and art school student from Bremen is making a name for himself fast on today’s musical map. Qnete, or Marvin Uhde, is the kind of producer who can do almost anything in the studio; creating his music through jamming sessions and building on timeless themes such as “lovesickness and boredom”, his fairly young discography stretches from experimental yet hitty house productions into distorted techno and Bunker sounding electro. Wake Up!, Lobster Theremin, 777 and ZCKR are all labels Qnete has released on so far - and of course his own imprint Drowned Records that he co-runs since 2014.

Relaxer (Relaxer, Lovers Rock Recordings, Sustain-Release)

RELAXER emerged from NYC in 2016 as the new project from Daniel Martin-McCormick. Over five EPs, he has explored lush techno with a feral punk spirit informed by two decades of innovative sidewinding in the US underground. Lithe, contagious bassline-driven grooves are a platform for a psychologically charged atmosphere -- humid with creeping paranoia, evocative melancholic melodies and themes of toxic masculinity. Relaxer’s hardware live set premiered at Berghain in 2017 and since then has been performed De School, Sustain-Release, Institut fuer Zukunft and more. He lives in New York where he runs the label Lovers Rock Recordings, collaborates with Aurora Halal as Halal & Relaxer, and co-directs the Sustain-Release festival.

Tasker (Whities)

London born and bred, Whities founder Nic Tasker has been djing for over a decade. He is one of NTS’ longest-standing residents, hosting his weekly show on the station since its first year of broadcast. He started Whities four years ago – a label which, in its short existence, has built a solid global following of its idiosyncratic musical output, parties and artwork.

Nic fell for dance music early on and got his schooling at Phonica, where he worked for many of his younger years. He went on to become a booker and host at Boiler Room, before joining Young Turks (where Whities originated as a sub-label). Taking Whities independent in 2017, Nic has continued to grow the label with both cohesion and variation, this year starting a dance-floor dedicated sub-label, Whities Blue, and a mixtape cassette series under the heading 88T. All focus predominantly on supporting the work of lesser-known contemporary artists.

This approach to music, combined with his experience across all corners the industry, gives his sets a diverse, neoteric sound grounded in the traditions of techno and dance culture. His djing has taken him worldwide, to Berghain, Robert Johnson, De School, Fabric, Sub Club, much of Europe and further afield in Tbisili, Tokyo and throughout the United States.

Young Male (White Material)

Since emerging from New York in 2012 Quinn Taylor has used the alias Young Male to explore a uniquely brutalist and stripped down approach to techno. Releases on his own White Material Records and Spencer Parker’s Work Them Records frame pounding rhythmic club tracks in stark, airless vistas. His productions display a directness reminiscent of Detroit’s halcyon days while utilizing a sleek, hi-fi aesthetic typically associated with contemporary European big room techno. In recent years Taylor’s DJ sets and mixes have impressed audiences with a high octane sound that’s honed for dancefloor impact. He appears regularly at Berghain, Output and Unter.

ТПСБ

тпсб (tpsb) is an abbreviation of "темное прошлое светлое будущее", which translates to “dark past bright future”. тпсб’s debut album Sekundenschlaf (BLACKEST067) has been released on London label Blackest Ever Black in early 2018. Live shows can be sweaty or sweet.

Workshop has been going strong for over a decade now, set up in 2006 by dear friends and colleagues Jens Kuhn aka Lowtec and Paul David Rollmann aka Even Tuell. Together the pair had previously worked together on releases for Lowtec’s other label Out To Lunch, as well as simply sharing a passion for the music they grew up with on the scene. And of course the music they felt they wanted to create a base for. The label heads have stated in the past their aim is to release music “We will not need to be ashamed of in 10 years”, summing up the 12 years that have now just passed – it seems like they are doing fine.

Rarely has a record label been so connected with its look and feel, representing to the actual music on the disc to its fans. A diverse collection of music is to be heard, whether it is warm non-commercial-commercial disco funk to open up with, or a moody dark offbeat moment for an open-minded early morning dancer. The common denominator seems to be that the funk is there in almost every record - even in the releases often labeled as “leftfield house”. Of course this does not mean things do not change from release to release or might sound widely different in the future, or already do. The majority of the tracks appear unnamed and are translated and presented visually in understated thick recycled paper covers; the label logo embossed on each cover; the center label of the actual vinyl often in a natural earthy shade with a graphic stamp featuring perhaps an aquatic creature, a sphinx or a moustache clad man, accompanied by the name of the producer, the number of the record, and of course its distributor, Hardwax.

Workshop is being pressed at vinyl plant R.A.N.D. MUZIK in Leipzig, a company Lowtec also has been involved in since the start. They, like most of the people associated with the label, have a personal relationship with the owners. If they were not close from the beginning, they have become family over the years. Workshop means home for Kassem Mosse, Move D – including his projects Magic Mountain High and Reagenz, Willow, Ozel AB, Madteo, Midnightopera, as well as Even Tuell and Lowtec themselves. Label nights showcasing its talents are also being regularly arranged with selected steady partners around the globe: Corsica Studios in London, Robert Johnson in Frankfurt and Soup Kitchen in Manchester.

When being asked what the manifesto or plan for the label is, the answer has in the past been “All is just music” - everything is possible”. Taking this into account and that their release pace is so far maximum three records per year, one understands Workshop was not created to be a vehicle or a commercial success for any of the involved. Maybe that explains a lot about the continuously high quality of their output.

Chris Farrell’s Bristol label Idle Hands, started in 2009, is described by its founder as a “wide range dance music label”, something that becomes very apparent as you go through the imprint’s vibrant discography. Looking deeper into the label’s history you will find it is built through a close community, personal relationships and recognition.

A strong core family consisting of Shanti Celeste, Rhythmic Theory, Parris, Andy Mac, Kowton, Peverelist, The Kelly Twins and about 20 more respected artists are all vital in shaping the Idle Hands sound, serving up wobbly dubby bass sounds, soulful vocals, deep techno, gritty basslines – all firmly rooted and molded with that specific UK twist. Idle Hands is Chris Farrell’s personal view of what the sound of Bristol is and the effect it has had on underground dance music. Weather you are a long time fan or a newcomer to the label, it couldn’t be more of a thrilling catalogue to discover.

disconnect - transmissions from the basement

connect@disconnect.li


Limitation of liability for internal content

The content of our website has been compiled with meticulous care and to the best of our knowledge. However, we cannot assume any liability for the up-to-dateness, completeness or accuracy of any of the pages.

Pursuant to section 7, para. 1 of the TMG (Telemediengesetz – Tele Media Act by German law), we as service providers are liable for our own content on these pages in accordance with general laws. However, pursuant to sections 8 to 10 of the TMG, we as service providers are not under obligation to monitor external information provided or stored on our website. Once we have become aware of a specific infringement of the law, we will immediately remove the content in question. Any liability concerning this matter can only be assumed from the point in time at which the infringement becomes known to us.

Limitation of liability for external links

Our website contains links to the websites of third parties („external links“). As the content of these websites is not under our control, we cannot assume any liability for such external content. In all cases, the provider of information of the linked websites is liable for the content and accuracy of the information provided. At the point in time when the links were placed, no infringements of the law were recognisable to us. As soon as an infringement of the law becomes known to us, we will immediately remove the link in question.

Website: Cornelius Altmann, Dominic Osterried

22 June 2018: Ekman - Klankvorm - Rotterdam +++
22 June 2018: Bobbie* - PAL - Hamburg +++
23 June 2018: Finn Johannsen - Paloma Bar - Berlin +++
29 June 2018: Finn Johannsen - Golden Pudel Club - Hamburg +++
30 June 2018: Relaxer - Katowice - Poland +++
1 July 2018: Don't DJ - Terraforma Festival - Castellazzo MI +++
1 July 2018: Finn Johannsen - Southern Soul Festival - Montenegro +++
6 July 2018: Even Tuell - Farr Festival - Hertfordshire +++
6 July 2018: Kassem Mosse - Noorderschip - Amsterdam +++
7 July 2018: Relaxer - Berghain - Berlin +++
7 July 2018: Young Male - Berghain - Berlin +++
7 July 2018: Finn Johannsen - Paloma Bar - Berlin +++
7 July 2018: Qnete - OHM - Berlin +++
13 July 2018: Leibniz - Objekt klein a - Dresden +++
14 July 2018: Tasker - iBoat - Bordeaux +++
20 July 2018: Tasker - Circus - Tokyo +++
22 July 2018: Ekman - Garage Nord - Amsterdam +++
28 July 2018: Finn Johannsen - Festsaal Kreuzberg Open Air - Berlin +++
28 July 2018: Tasker - Ortgia Festival - Sicily +++
1 August 2018: Even Tuell - Club der Visionäre - Berlin +++
3 August 2018: Don't DJ - Nachtdigital Festival - Olganitz +++
3 August 2018: Relaxer - Dekmantel Festival - Amsterdam +++
3 August 2018: Mix Mup as part of Chilling the Do - Nachtdigital Festival - Olganitz +++
3 August 2018: Kassem Mosse as part of Chilling the Do - Nachtdigital Festival - Olganitz +++
3 August 2018: Gramrcy - OHM - Berlin +++
3 August 2018: Tasker - De School - Amsterdam +++
4 August 2018: Finn Johannsen - Grow Tottenham - London +++
9 August 2018: Gramrcy - Wilde Möhre Festival - Drebkau +++
10 August 2018: Don't DJ - Modem Festival - Croatia +++
11 August 2018: Don't DJ - Ods Festival - Odessa +++
17 August 2018: Bobbie* - Wilde Renate - Berlin +++
17 August 2018: Qnete - Wilden Renat - Berlin +++
17 August 2018: Chris Farrell - The Love Inn - Bristol +++
25 August 2018: Benjamin Brunn - Paloma Bar - Berlin +++
25 August 2018: Don't DJ - Baleapop - Saint Jean de Luz +++
25 August 2018: Lowtec - Berlin Atonal +++
25 August 2018: Kassem Mosse - Berlin Atonal +++
28 August 2018: Finn Johannsen - Paloma Bar - Berlin +++
2 September 2018: Gramrcy - Field Maneuvers - Near London +++
2 September 2018: Bobbie* - Field Maneuvers - London +++
7 September 2018: Mix Mup - Meakusma Festival - Eupen +++
7 September 2018: Finn Johannsen - tbc - Tbilisi +++
7 September 2018: Relaxer - Nowadays - NY +++
8 September 2018: Molto - Meakusma Festival - Eupen +++
14 September 2018: Mama Snake - Sustain Release Festival - NY +++
15 September 2018: Buttechno - Sustain Release Festival - NY +++
21 September 2018: Bobbie* - Dora Brilliant - Frankfurt am Main +++
21 September 2018: Leibniz - Dora Brilliant - Frankfurt am Main +++
22 September 2018: Finn Johannsen - Paloma Bar - Berlin +++
22 September 2018: Tasker - TBA - Brighton +++
22 September 2018: Buttechno - Nowadays - NY +++
22 September 2018: Lowtec - Frau Korte - Erfurt +++
28 September 2018: Tasker - TBA - Paris +++
28 September 2018: Relaxer - TRAM Planet Recordings - Nashville +++
29 September 2018: Relaxer - TRAM Planet Recordings - Knoxville +++
2 October 2018: Finn Johannsen - Paloma Bar - Berlin +++
12 October 2018: Madteo - Wilde Renate - Berlin +++
12 October 2018: Finn Johannsen - Wilde Renate - Berlin +++
13 October 2018: Madteo - Karlstorbahnhof - Heidelberg +++
14 October 2018: Madteo - Golden Pudel Club - Hamburg +++
19 October 2018: Madteo - TBA - Berlin +++
20 October 2018: Finn Johannsen - Paloma Bar - Berlin +++
20 October 2018: Whities Showcase - Simple Things Festival - Bristol +++
20 October 2018: Madteo - TBA - London +++
26 October 2018: Kassem Mosse - UNIT - Tokyo +++
26 October 2018: Qnete - OHM - Berlin +++
26 October 2018: Tasker - AMP - Frankfurt am Main +++
27 October 2018: Relaxer - Griessmühle - Berlin +++
27 October 2018: Chris Farrell - Wire Club - Leeds +++
27 October 2018: Gramrcy - Griessmühle - Berlin +++
27 October 2018: Tasker - Griessmühle - Berlin +++
28 October 2018: Tasker - Golden Pudel Club - Hamburg +++
28 October 2018: Kassem Mosse - Forestlimit - Tokyo +++
3 November 2018: Relaxer - Nowadays - NY +++
9 November 2018: Finn Johannsen - TBA - London +++
16 November 2018: Kassem Mosse - Soup Kitchen - Manchester +++
17 November 2018: Kassem Mosse - TBA - London +++
24 November 2018: Finn Johannsen - Paloma Bar - Berlin +++
24 November 2018: Ekman - Agora Club - Valencia +++
7 December 2018: Qnete - Tresor - Berlin +++
8 December 2018: Finn Johannsen - Soul Weekender - Nürnberg +++
22 December 2018: Kassem Mosse - ://about blank - Berlin +++
22 December 2018: Gramrcy - ://about blank - Berlin +++
22 December 2018: Bobbie* - ://about blank - Berlin +++
28 December 2018: Finn Johannsen - Paloma Bar - Berlin +++
31 December 2018: Relaxer - Robert Johnson - Offenbach +++